In a mag­i­cal fes­ti­val debut, the ensem­ble Arcangelo cheer­ful­ly inverts nat­ur­al order. Telemann’s Burlesque de Quixotte, Vivaldi’s Il Grosso Mogul and Purcell’s Fairy Queen are paragons of baroque illu­sion. Rising star Louise Alder sings the solo part of Handel’s ear­ly can­ta­ta Delirio amoroso: a pow­er­ful trib­ute to mad­den­ing love.