The ensem­ble Nevermind, fea­tur­ing harp­si­chordist Jean Rondeau, evokes a sophis­ti­cat­ed par­ty from the French baroque. Jean-Philippe Rameau fol­lowed in Elisabeth Jacquet de la Guerre’s foot­steps when he wrote harp­si­chord works with vio­lin and viol accom­pa­ni­ment. And in François Couperin’s Les Nations, Corellian trio sonatas expose them­selves as swing­ing suites in the French style.

Paris s’éveille

Feestelijke kamermuziek uit de Franse barok

  • Ensemble: Nevermind (FR)
  • Fluit: Anna Besson (FR)
  • Viool: Louis Creac’h (FR)
  • Viola da gamba: Robin Pharo (FR)
  • Klavecimbel: Jean Rondeau (FR)